abolition

Artwork by Rae Minji Lee, with photography by Carolina Marinati (CC0)

Spirituality and Survival: Imaginative Freedoms for Abolition Futures

Published by shah noor hussein, Editor, et al.

In this collection on “Spirituality and Survival: Imaginative Freedoms for Abolition Futures,” authors engage key questions of Black survival in this moment: How are Black communities activating our ancestral knowledge to cultivate a future we are willing to fight for and worlds in which we want to survive? We invited authors to consider the following questions in their writing: How are you showing up right now to take care of yourself and to care for others? How are you showing up in mindful solidarity with the movements confronting police violence and demanding abolition? What contemplative insights, spiritual wisdoms, or dharmic teachings are you finding most relevant for society or for you, personally, in this time? How have Black histories of protest, riots, and revolutions related to spirituality? How have our ancestors, both familial lineages and intellectual inspirations, responded to past turmoils with insight and vision across the diaspora? How can the changes we need, including the abolition of prisons and police, be spiritually guided, mindfully motivated, and creatively conjured now and tomorrow? How can these …

We Need More Fugitives

Published by Ra Malika Imhotep

radical Black feminist thoughtfeelings (& propaganda) “Are you sure, sweetheart, that you want to be well?… Just so’s you’re sure, sweetheart, and ready to be healed, cause wholeness is no trifling matter. A lot of weight when you’re well.” —Minnie Ransom And so begins Toni Cade Bambara’s 1980 novel, The Salt Eaters: Its protagonist Velma Henry, resistantly coming undone in the hands of Minnie Ransom, a trusted healer intimately acquainted with the voices of her ancestral guides. This novel is unsettling for many reasons. Structurally, the many voices and perspectives Bambara uses to tell the story disregard narrative conventions. Deeper still, Velma Henry, a black woman activist hospitalized and seeking healing after a sucide attempt,  stands as a haunting embodiment of the ways embattled resistance can literally tear apart the bodymind. I’ve written out parts of that opening line and posted it on my walls and doors in nearly every place I’ve lived over the past five years. Currently it sparkles in golden glitter ink on a white piece of paper next to my bed. …

Con*cep*tion

Published by Claudelle R. Glasgow

Prologue We all strive for understanding and meaning. Yet too often, we arrive at understanding by a consensus of the few. Our definitions, numbered and lettered, give us form from which we build beliefs and systems.  One of the skillful means I appreciate about Chogyäm Trungpa, an influential Tibetan Buddhist monk who brought Buddhism to the West, was his ability to play with words to reveal the potential of any word to hold wisdom. Each piece below engages in a narrative that invites you to reconsider the normative definition of a word or phrase and what is true in your experience.  Each may give you an opportunity to create and experience and witness one. Although all pieces below reflect some aspect of Black birth and mothering, they simultaneously engage with how we relate to our world. Con*cep*tion We are all capable of conceiving. Some make worlds, others systems, still others ideology. All of this contributes to our (personal) Now and This Now (cultural) of the last 400+ years, which has deteriorated our humanity. Yet, co-arising …

Photograph by shah noor hussein

Meant to Survive: Creativity as a Path to Abolition

Published by shah noor hussein

Over 40 years ago, Audre Lorde evocatively reminded us that “we were never meant to survive” as Black people of the diaspora living under colonial empires with capitalist agendas.1 In 2012, Alexis Pauline Gumbs revisited this pivotal poem, “A Litany for Survival,” in her article “The Shape of My Impact,” stating that survival has “never meant, bare minimum,” but rather “references our living in the context of what we have overcome”.2 Speaking to each other across decades, Lorde and Gumbs emphasize the exceptional power of surviving under systems of oppression, imperialism, and colonialism. To live through these experiences while finding ways to express ourselves, honor our creativity, and nourish our spirits is no small act. We have overcome tremendous traumas, and this is a great strength. As Octavia Butler proclaims, “God is Change,” and if God is a Black womxn, we are her children.3 Black folks have adapted to many things—colonization, imperialism, and climate change, to name a few—shifting our ways of being in conjunction with spiritual and ancestral teachings. While we must be weary …